And yet—such is the buoyancy of youth—within a fortnight he began his first novel, pretending to himself that it was on Ruth's account. “We played at love-making in Paris. If you assume the character of a debtor for your own convenience, you must be content to maintain it for ours. ” He ran around his car and opened the door for her as she desperately tried to view out of the corner of her eye the man sitting silently in the squad car. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.
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