Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. Both had dropped the rather elaborate politeness of the dining-room, and in their faces an impartial observer would have discovered little lines of obstinate wilfulness in common; a certain hardness—sharp, indeed, in the father and softly rounded in the daughter—but hardness nevertheless, that made every compromise a bargain and every charity a discount. “You are a thousand times more beautiful,” he said, “than anything else could be. Why ever did you let me get into that wagonette?” “I thought we had to,” said Ann Veronica, who had also been a little under the compulsion of the marshals of the occasion. Her tone was hoarse with passion. I can’t tell anyone certain things about my life. ‘But this is not to my blame, grandpére. A fortnight passed, then a month. “I’ll bring it to-morrow. “How are you feeling?” She asked with grave concern in her voice. He hung over her—he and his loan to her and his connection with her and that terrible evening—a vague, disconcerting possibility of annoyance and exposure.
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