She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. ’ Her lips parted, but she did not speak. His pride, however, would not suffer him to interfere with their proceedings; much less could he bring himself to acknowledge that he had been in the wrong, and entreat Lady Trafford to remain, though he was well aware that her life might be endangered if she travelled by night.
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