“I’ll turn you here. I cannot tell you much about it, but my bad times are over for the present. Every window, from the groundfloor to the garret had its occupant, and the roofs were covered with spectators. Michelle was on her like a fly, asking her questions about her past foster homes she did her best to avoid, pretending to be swamped every night with sudden reams of homework and unable to be reached by phone. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. His mom was a famous model.
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