Perhaps that was why Sheila began to observe Lucy, because both of them were poignantly aware of Lucy’s otherness. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious. Ladies with weapon’s on ’em. Paris was full, and it was by no means a retired spot which she had found.
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