CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. “I want you so much, Lucy. ‘Then I don’t advise you to visit Remenham House. And if she is not a nun, nor a refugee, and yet is entirely English, I’m hanged if I know what she is. "'Faith, an' you may say that," returned a watchman, who was wiping a ruddy stream from his brow; "they've broken the paice, and our pates into the bargain. ” Lucy embraced Michelle and pierced her neck with elongated canines, one hand clamped over Michelle’s biting, screaming mouth. " "'The avenger of blood himself shall slay the murderer'," said Wood, who was culling for himself certain texts from the scriptures. One small wing lay at the north of the gate, where Giltspur Street Compter now stands; and the Press Yard, which was detached from the main building, was situated at the back of Phoenix Court. The man pulled up. There you are! Girl spoilt for life. It was long and narrow, a well-lit, wellventilated, quiet gallery of small tables and sinks, pervaded by a thin smell of methylated spirit and of a mitigated and sterilized organic decay. Nearly all the individual works in the collection are in the public domain in the United States. “It is against my husband’s orders, and I am not sure that my sister will be particularly glad to see me. He had invited himself to dine with her merely to watch her table manners.
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