" "Not now, my love—not now," entreated Wood. You were afraid of me, afraid that I should have been shocked, afraid of the scandal. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "Heaven be praised, I am not the son of a nobleman. Groups of boys took to ogling her as she walked frenetically from class to class. Supposing you fetch what you can, and if you will allow me, I will see you off. “And children must we women bear— “Oh, damn!” she cried, as the hundred-and-first couplet or so presented itself in her unwilling brain. “It’s glorious good!” “Suppose now—look at this long snow-slope and then that blue deep beyond —do you see that round pool of color in the ice—a thousand feet or more below? Yes? Well, think—we’ve got to go but ten steps and lie down and put our arms about each other. Enschede: no human emotion should ever again shuttle between him and God.
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