The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. The young lady in the bureau said she would inquire, and Ann Veronica, while she affected to read the appeal on a hospital collecting-box upon the bureau counter, had a disagreeable sense of being surveyed from behind by a small, whiskered gentleman in a frock-coat, who came out of the inner office and into the hall among a number of equally observant green porters to look at her and her bags. "A husband has little to fear from his wife's kinsfolk. I shall never come back. "Leave him to me," he said. Spurling, formerly, it may be remembered, the hostess of the Dark House at Queenhithe,—whence wine, ale, and brandy of inferior quality were dispensed, in false measures, and at high prices, throughout the prison, which in noise and debauchery rivalled, if it did not surpass, the lowest tavern. It was a sort of cooking-room, with an immense fire-place flanked by a couple of cauldrons, and was called Jack Ketch's Kitchen, because the quarters of persons executed for treason were there boiled by the hangman in oil, pitch, and tar, before they were affixed on the city gates, or on London Bridge. "Not exactly," answered Jonathan, drily. " "'Bloody and deceitful men shall not live half their days'," said Wood, reading aloud another passage. They simply understood there was a greater need to get over the past than to talk about it.
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